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Do You Know… Dijágo Studios?
Articles Dionne Walsh Articles Dionne Walsh

Do You Know… Dijágo Studios?

Dijágo Studios presents its pre-fall 2024 collection: Ek Sien Jou, a conscious celebration of cultural heritage and contemporary design. Held at Old Brompton Gallery, the Afro-Asian Luxury brand delivers a timeless amalgamation of Pakistani architectural patterns and West African textiles.

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Rock On: The Art of Competitive Rock Balancing
Articles Trash Club Articles Trash Club

Rock On: The Art of Competitive Rock Balancing

In the tranquil corners of parks, along riverbanks, and at the bases of mountains, a unique subculture quietly thrives—competitive rock balancing. For a dedicated few, what might appear as a serene hobby is an artistic pursuit demanding skill, patience, and a deep connection to nature.

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Biorhythms: Syncing Your Creative Cycle
Articles Trash Club Articles Trash Club

Biorhythms: Syncing Your Creative Cycle

Do you know your biorhythm? Discover how contemporary artists like Yayoi Kusama and Ai Weiwei optimise their creativity and productivity through understanding their physical, emotional, and intellectual cycles. Learn how to harness these rhythms to boost your own artistic success.

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A Panel and A Protest
Articles Grace Clarkson Articles Grace Clarkson

A Panel and A Protest

A Panel and a Protest, written by New Zealand-based Trash Club Member Grace Clarkson, documents her reflections after a panel discussion at the Triennale Milano, Italy. Panelists included the founder of Yoox, Frederick Marchetti, creative directors of Sunnei, Loris Messina and Simone Russo, the director of Polimoda, Massimiliani Giornetti, fashion activist and model Marina Testino and hosted by journalist and editor for New York Magazine Cathy Horton and editor Dan Thawley.

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How Do We Continue?
Articles Grace Clarkson Articles Grace Clarkson

How Do We Continue?

Grace Clarkson, Trash Club Member, Ambassador for Fashion Revolution New Zealand, and masters’ student of Fashion Brand Management at Polimoda, discusses the detachment of high fashion from the devastating effects of climate change. Knowing this, she poses the question ‘How do we continue?’

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